Premiere Pro Guru: Fixing Video Exposure Problems
3h 27mIntermediate2017-03-28
Authors

Richard Harrington
Digital Video Expert, Educator, Speaker
Course details
Even under the best lighting conditions, your footage can have exposure problems. The command to "just fix it in post" is possible to fulfill with the right post-production tools and techniques. This course shows you how to correct issues and improve video with Premiere Pro. Rich Harrington explores various methods for fixing video exposure problems: using effects, adjustment layers, toning, and more. For more complicated footage problems or an extra boost, Rich shows you how to use the more advanced specialized tools in After Effects. Note that these steps based on the capabilities of the Creative Cloud features, but most techniques will also work in older versions of the programs.
Learning objectives
Fixing white balance and achieving the proper tone
Achieving proper tone and restoring the correct saturation
Sharpening video
Saving corrections as a Look
Adjust RGB and use Hue Saturation curves
Balancing color with color wheels
Relighting a scene using Lighting Effects
Stabilizing the exposure
Changing color and neutralizing color
Removing grain with After Effects
Fixing overexposed and underexposed footage
Adding a vignette or border
Working with raw video, a .R3D file, and a DPX sequence
Learning objectives
Fixing white balance and achieving the proper tone
Achieving proper tone and restoring the correct saturation
Sharpening video
Saving corrections as a Look
Adjust RGB and use Hue Saturation curves
Balancing color with color wheels
Relighting a scene using Lighting Effects
Stabilizing the exposure
Changing color and neutralizing color
Removing grain with After Effects
Fixing overexposed and underexposed footage
Adding a vignette or border
Working with raw video, a .R3D file, and a DPX sequence
Skills covered
Video Color GradingShooting VideoPremiere ProVideo EditingVideoMotion Graphics and VFXAdobe
Concepts
Introduction
- Welcome
- What you should know before watching this course
- Using the exercise files
Evaluating and Adjusting Images
- Set up a Color Correction workspace
- Using the Waveform Monitor
- Using the Vectorscope
- Using the RGB Parade
- Toggling an effect to compare
- Using adjustment layers
- Adding masks
Making Basic Corrections with the Lumetri Effect
- Applying an Input LUT
- Fixing your white balance
- Getting a properly toned image
- Restoring the correct saturation
- Saving basic corrections as an Input LUT
Making Creative Corrections with the Lumetri Effect
- Applying a Creative Look
- Adjusting filmic qualities
- Sharpening your video
- Adjusting color stylistically
- Saving creative corrections as a Look
Restoring Color and Tone with Curves and Color Wheels
- What is a curve
- Using RGB curves
- Using Hue Saturation Curves
- Balancing color with color wheels
Making Secondary Corrections
- The role of secondary correction
- Creating a selection for secondary correction
- Refining a selection to avoid jitter
Managing the Lumetri Effects
- Copying, pasting, and removing attributes
- Creating presets
- Managing Looks and LUTs
Other Useful Color and Tone Effects
- The Levels effect
- Relighting a scene with the Lighting Effects effect
- Stabilizing exposure with the Color Stabilizer effect in After Effects
- The Change Color effect and Change to Color effect
- Neutralizing color with the CC Color Neutralizer in After Effects
Controlling Noise and Grain
- Removing grain with After Effects
- Using Red Giant Denoiser
- Using Neat Video
Keyframing Effects
- When to keyframe an effect
- Adding keyframes
- Smoothing keyframe transitions with handles
Using Blend Modes to Improve Footage
- Fixing overexposed footage
- Fixing underexposed footage
- Adding a stylized vignette or border
- Adding contrast with a black-and-white effect
Working with Raw Video
- Why shoot raw video
- Working with a .R3D file
- Working with a DPX sequence
Legalizing for Broadcast
- Why legalize
- Using the Video Limiter effect
Conclusion
- Goodbye