Shooting and Processing Panoramas
3h 42mIntermediate2019-06-17
Authors

Richard Harrington
Digital Video Expert, Educator, Speaker
Course details
When one photo doesn't do justice to a scene, take several—and then stitch them together into a panorama. In this course, Rich Harrington details every step in the process, from shooting to stitching. Rich begins with a look at the creative options provided by panoramic photographs. He then describes the technical details for getting great original shots: how to properly mount the camera on a tripod, how to overlap each shot, which lenses deliver best results, and more. After shooting a variety of panoramas, he shows how to process them using various software tools, from Lightroom to Adobe Camera Raw and Photoshop.
Learning objectives
Choosing your gear
Compensating for the nodal point
Leveling the camera platform
Locking exposure and focus
Shooting with the GigaPan system
Shooting HDR panoramas
Shooting a 360-degree panorama
Managing data from a panorama shoot
Keeping your photos organized
Reducing noise and removing dust with Camera Raw
Assembling panoramas with Photoshop
Assembling panoramas with Lightroom Classic
Learning objectives
Choosing your gear
Compensating for the nodal point
Leveling the camera platform
Locking exposure and focus
Shooting with the GigaPan system
Shooting HDR panoramas
Shooting a 360-degree panorama
Managing data from a panorama shoot
Keeping your photos organized
Reducing noise and removing dust with Camera Raw
Assembling panoramas with Photoshop
Assembling panoramas with Lightroom Classic
Skills covered
Photo CompositingLightroomPhotoshopProjectPhotographyAdobe
Concepts
0. Introduction
- 01 - Welcome
- 02 - What you should know before watching this course
- 03 - Using the exercise files
1. What Is Panoramic Photography
- 04 - The end product
- 05 - The objectives to achieve
2. Technical Essentials
- 06 - Determining a target delivery size
- 07 - What is field of view
- 08 - What is the nodal point
- 09 - Post-processing choices for panoramic photography
3. Equipment - What You'll Need and What You Might Want
- 10 - A solid tripod for panoramic photography
- 11 - Choosing a tripod head
- 12 - Lens choices for panoramic photography
- 13 - Compensating for the nodal point
4. Choosing a Shooting Format
- 14 - Shooting time-lapse as JPEG files
- 15 - Shooting time-lapse as RAW files
- 16 - Stitching in a camera
5. Shooting Strategies for Panoramic Photography
- 17 - Leveling the camera platform
- 18 - Cleaning the lens
- 19 - Locking exposure and focus
- 20 - Shooting with overlap
- 21 - Minimizing camera shake
- 22 - A refresher on exposure triangle
6. Shooting with the GigaPan System
- 23 - What is GigaPan
- 24 - Building the GigaPan platform
- 25 - Framing and recording the shot with the GigaPan system
7. Shooting HDR Panoramas
- 26 - Why shoot an HDR panorama
- 27 - Setting up for the shot
- 28 - Shooting the source images
8. Alternative Shooting Styles for Panoramic Photography
- 29 - Shooting a 360-degree panorama
- 30 - Shooting handheld
- 31 - Shooting panoramas using an iPhone
- 32 - Using Photosynth for panoramic photography
- 33 - Using Occipital 360 for panoramic photography
9. Managing Data from a Panoramic Photography Shoot
- 34 - Using a card wallet
- 35 - Transferring data
- 36 - Choosing a working drive
10. Organizing the Images for Post
- 37 - Using stacks in Adobe Bridge
- 38 - Renaming and renumbering image sequences
11. Developing Panoramic Photographs with Adobe Camera Raw
- 39 - Fixing basic exposure with Camera Raw
- 40 - Using graduated filters with Camera Raw
- 41 - Advanced recovery with Camera Raw
- 42 - Reducing noise with Camera Raw
- 43 - Removing dust with Camera Raw
- 44 - Choosing a bit depth
- 45 - Compensating for lens distortion
- 46 - Merging a panorama in Adobe Camera Raw
12. Assembling Panoramas with Adobe Photoshop
- 47 - Initiating the Photomerge command from Bridge
- 48 - Initiating the Photomerge command from Photoshop
- 49 - Choosing an alignment method
- 50 - Compensating for lens distortion
- 51 - Blending the photos
- 52 - Post merge cleanup
- 53 - Using the Adaptive Wide Angle filter to remove distortion
- 54 - Merging a 360-degree panoramic photo
- 55 - Cleaning up VR images in Photoshop
- 56 - Merging the GigaPan panoramic photo
- 57 - Using Photoshop filters to enhance panoramas
13. Finalizing Panoramas with Adobe Photoshop
- 58 - Using the Photo Filter adjustment layer
- 59 - Using third-party filters to enhance panoramas
- 60 - Refining shadows and highlights
- 61 - Improving contrast in panoramic photos
- 62 - Adjusting vibrance in panoramic photos
- 63 - Converting panoramic photos to black and white
14. Outputting the Panoramic Photos from Adobe Photoshop
- 64 - Should you flatten a panorama
- 65 - Cropping a panoramic photo to a target size and resolution
- 66 - Saving panoramas for printing
- 67 - Saving panoramas for the web
15. Assembling Panoramas with Adobe Lightroom Classic
- 68 - Importing photos into Lightroom Classic
- 69 - Preprocessing photos in Lightroom Classic
- 70 - Initiating the Photo Merge command in Lightroom Classic
- 71 - Choosing an alignment method in Lightroom Classic
- 72 - Using Boundary Warp in Lightroom Classic
- 73 - Merging an HDR panoramic photo in Lightroom Classic
- 74 - Developing the new RAW panorama image in Lightroom Classic
- 75 - Cropping the panorama in Lightroom Classic
- 76 - Sending from Lightroom Classic to Photoshop
- 77 - Sending from Lightroom Classic to Luminar
Conclusion
- 78 - Goodbye