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Premiere Pro Guru: Fixing Video Color and Exposure Problems

Premiere Pro Guru: Fixing Video Color and Exposure Problems

4h 33mIntermediate2024-11-07

Authors

Richard Harrington

Richard Harrington

Digital Video Expert, Educator, Speaker

Course details

Even under the best lighting conditions, your footage can have problems. The right post-production tools and techniques can help you achieve the color, tone, and exposure you want for your videos—whether you’re performing corrections or creative adjustments. In this course for intermediate-level video producers, editors, and creators, Digital video expert Rich Harrington shows you various methods to correct color and exposure issues with Premiere Pro. Learn how to use curves, Lumetri effects, adjustment layers, toning, and more to correct and enhance your work. Explore advanced specialized tools, including AI features in After Effects, such as the Color Stabilizer and Color Neutralizer effects. Plus, find out how to keyframe effects to compensate for color or exposure changes over time, work with raw video, and make sure your footage is broadcast safe.

Skills covered

Color CorrectionVideo Post-ProductionShooting VideoVideo ProductionPremiere ProVideo EditingVideoPhotographyAdobeDeep Dive (X:Y)

Concepts

0. Introduction

  • 01 - Fix that footage
  • 02 - What you should know about Premiere Pro
  • 03 - Using the exercise files

1. Evaluating and Adjusting Images

  • 04 - Set up a color correction workspace
  • 05 - Using the waveform monitor
  • 06 - Using the vectorscope
  • 07 - Using the RGB parade
  • 08 - Toggling the Lumetri effect to compare
  • 09 - Using multiple Lumetri effects to organize adjustments
  • 10 - Using adjustment layers in Premiere Pro
  • 11 - Adding masks to the Lumetri effect
  • 12 - Animating masks in the Lumetri effect
  • 13 - Using the Comparison View in Premiere Pro
  • 14 - Matching color and exposure with the Comparison View

2. Making Basic Corrections with the Lumetri Effect

  • 15 - Applying an Input LUT
  • 16 - Fixing your white balance
  • 17 - Getting a properly toned image
  • 18 - Restoring the correct saturation
  • 19 - Saving basic corrections as an Input LUT
  • 20 - Applying a Lumetri correction to a master clip

3. Creative Color Grading with the Lumetri Effect

  • 21 - Applying a creative look
  • 22 - Adjusting filmic qualities
  • 23 - Sharpening your video
  • 24 - Adjusting color stylistically
  • 25 - Split toning for shadows and highlights
  • 26 - Customizing the vignette effect
  • 27 - Saving creative corrections as a look

4. Restoring Color and Tone with Curves and Color Wheels

  • 28 - What is a curve
  • 29 - Using RGB Curves
  • 30 - An introduction to Hue Saturation Curves
  • 31 - Working with the Hue versus Saturation curve
  • 32 - Working with the Hue versus Hue curve
  • 33 - Working with the Hue versus Luma curve
  • 34 - Working with the Luma versus Saturation curve
  • 35 - Working with the Saturation versus Saturation curve
  • 36 - Balancing color with color wheels

5. Making Secondary Corrections

  • 37 - The role of secondary correction
  • 38 - Creating a selection for secondary correction
  • 39 - Refining a selection to avoid jitter
  • 40 - Revisiting curves for secondary color correction
  • 41 - Tracking masks for advanced secondary color correction

6. Creating Vignettes

  • 42 - Using the vignette effect
  • 43 - Refining and reusing the effect with an adjustment layer
  • 44 - Using custom masks for advanced vignettes

7. Managing Lumetri Effects

  • 45 - Copying, pasting, and removing attributes
  • 46 - Creating presets
  • 47 - Managing looks and LUTs
  • 48 - Storing LUTS in a Library

8. Other Useful Color and Tone Effects

  • 49 - The Levels effect
  • 50 - Relighting a scene with the Lighting Effects effect
  • 51 - Using the Color Stabilizer effect in After Effects
  • 52 - Neutralizing color with the CC Color Neutralizer
  • 53 - Adjusting foreground and background with layers and the RotoBrush tool

9. Keyframing Effects

  • 54 - When to keyframe an effect
  • 55 - Adding keyframes
  • 56 - Smoothing keyframe transitions with handles

10. Using Blend Modes to Improve Footage

  • 57 - Fixing overexposed footage
  • 58 - Fixing underexposed footage
  • 59 - Using multiple masks for selective corrections
  • 60 - Adding contrast with a black and white effect

11. Working with Raw Video

  • 61 - Why shoot RAW video
  • 62 - Working with a R3D file
  • 63 - Working with Blackmagic RAW video

12. Legalizing for Broadcast

  • 64 - Why legalize
  • 65 - Using the Video Limiter effect
  • 66 - Applying the limiter when exporting

Conclusion

  • 67 - Next steps

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