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Premiere Pro Guru: Adjustment Layers and Nesting

Premiere Pro Guru: Adjustment Layers and Nesting

2h 28mIntermediate2015-09-21

Authors

Luisa Winters

Luisa Winters

Certified Instructor for Adobe and Apple

Course details

With adjustment layers and nesting, you can nondestructively apply effects, color correction, and filmic looks to video footage in Premiere Pro. Here Luisa Winters explains what nesting is, when to use it, and how to use adjustment layers to apply effects to certain sequences in your timeline. She also covers masking effects; saving presets for future use; creating sepia, film, and other looks with adjustment layers; and using lookup tables (LUTs) to manipulate color in a data-oriented way.

Learning objectives
When and why to nest Premiere Pro
Rendering and replacing nesting
Naming nested sequences
Applying effects with adjustment layers
Saving adjustment layers
Adjusting footage using color corrections
Masking effects
Creating specific looks with adjustment layers

Skills covered

Shooting VideoPremiere ProVideo EditingVideoLimited SeriesAdobe

Concepts

Getting Started

  • 01 - Welcome
  • 02 - Using the exercise files

1. Using Nesting Techniques to Improve Your Workflow

  • 03 - What is nesting and why should you nest
  • 04 - Effects and techniques that require nesting
  • 05 - When to nest and when to use the source - Editing nests into new sequences
  • 06 - Naming strategies for nested sequences
  • 07 - When to render and replace your nest
  • 08 - Essential keyboard shortcuts for nesting

2. Using Adjustment Layers to Make Your Effects Easier to Manage

  • 09 - What are adjustment layers and why should we use them
  • 10 - Common effects that should be applied using adjustment layers
  • 11 - Saving and applying presets to adjustment layers
  • 12 - Creating a template project - Saving an adjustment layer

3. Using Adjustment Layers to Create Visual Adjustments

  • 13 - Using the scopes
  • 14 - Adjusting your footage using primary color corrections
  • 15 - Adjusting your footage using secondary color corrections
  • 16 - Adjusting skin tones
  • 17 - Warming (or cooling) your footage
  • 18 - Masking your effect

4. Using Adjustment Layers to Create Specific Looks

  • 19 - Creating the film look effect
  • 20 - Creating the sepia look effect
  • 21 - Creating the rack focus effect
  • 22 - Creating the bleach bypass effect

5. Using LUTS

  • 23 - What is a lookup table (LUT)
  • 24 - Creating LUTS in Adobe SpeedGrade
  • 25 - Apply LUTS using the Lumetri effect
  • 26 - LUTS vs. effects in Premiere Pro

Conclusion

  • 27 - Goodbye

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