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Premiere Pro: Documentary Editing

Premiere Pro: Documentary Editing

3h 49mIntermediate2012-09-19

Authors

Jason Osder

Jason Osder

Documentary Filmmaker, Associate Professor of Media

Course details

Find out how to highlight a cause, express a point of view, and tell a story with Adobe Premiere Pro and some essential documentary editing techniques. This course breaks down the documentary process into a series of stages that correspond to the milestones of a real client project. Starting with existing footage, you'll discover how to identify the key messaging concepts and log the footage. Then find out how to assemble rough and fine-tuned cuts, and layer in motion graphics and a credit roll. The final phase explores color correction and audio mixing, before exporting your final movie.

This course is part of a series that looks at Documentary Editing from the point of view of 3 different editors in 3 different editing applications. For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Final Cut Pro X.

Learning objectives
Interpreting a creative brief
Logging interviews and other footage
Pulling selects and presenting ideas
Building sequences and scenes
Creating title graphics
Animating images
Adjusting b-roll shots
Tightening clip timing
Compressing and exporting multiple files

Skills covered

Shooting VideoPremiere ProVideo EditingVideoAdobeDeep Dive (X:Y)

Concepts

Introduction

  • Welcome
  • Using the exercise files
  • Interpreting a creative brief to establish goals
  • How to use this course

Phase 1 - Producing for Message

  • Identifying messaging concepts
  • Tips for working with interviews
  • Tips on B-roll sequences
  • Researching background and history

Phase 2 - Preparing to Edit

  • Organizing the ingest process
  • Choosing an interview logging method
  • Adding interview metadata
  • Logging interviews with markers
  • Adding notes to B-roll clips
  • Preparing archival images with Photoshop
  • Pulling selects and presenting ideas

Phase 3 - Rough Cutting

  • Structuring the edit
  • Assembling B-roll shots
  • Assembling interviews
  • Building sequences and scenes
  • Editing interview bites on the Timeline
  • Adding other media types to the Timeline
  • Completing the rough cut
  • Presenting the rough cut and receiving feedback

Phase 4 - Incorporating Still Images and Motion Graphics

  • Planning moves on photographs
  • Animating images
  • Creating a title graphic in Photoshop
  • Animating a title graphic in Premiere
  • Presenting graphics work

Phase 5 - Fine-Cutting

  • Performing an editorial evaluation
  • Refining scene order
  • Adjusting interview content
  • Adjusting B-roll shots
  • Tightening clip timing
  • Fine-cutting audio
  • Reviewing all assets
  • Adding end credits
  • Locking the picture and preparing the Timeline for finishing
  • Presenting the picture lock to the client and receiving approval

Phase 6 - Finishing

  • Evaluating the piece for finishing goals
  • Polishing the final audio mix
  • Correcting color for consistency
  • Adjusting the title and animations for the best compression
  • Exporting multiple files

Conclusion

  • Next steps

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