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Photography Foundations: Black and White

Photography Foundations: Black and White

3h 4mIntermediate2011-06-29

Authors

Ben Long

Ben Long

Photographer, Writer, Educator

Course details

In this Foundations of Photography, Ben Long shows photographers how to develop a black and white vocabulary and explains the considerations to take into account when shooting for this medium. The course follows Ben as he goes on location and explains what makes good black and white subject matter and how to visualize the scene in terms of tonal values and contrast rather than color. Along the way, he demonstrates some exposure strategies for getting the best images. Back at the computer, Ben demonstrates techniques for converting the resulting photos into black and white using Photoshop and other imaging tools, and offers tips on printing and output.

Learning objectives
Why shoot in black and white
How to recognize good black-and-white subject matter
Preparing the camera
Shooting a tone-based subject
Exposing for black and white
Understanding grayscale
Converting from color to black and white using Photoshop CS4 or CS5
Converting to black and white in Camera Raw
Vignetting
Toning and split-toning
Comparing high key versus low key images
Preparing a black and white image for print

Skills covered

Black and White PhotographyPhotoshopPhotographyFoundationsAdobe

Concepts

1. Introduction

  • 01 - Welcome
  • 02 - Why black and white
  • 03 - Suggested prerequisites
  • 04 - Using the exercise files

2. What Is Black-and-White Photography

  • 05 - Is it really black and white
  • 06 - How gray corresponds to color
  • 07 - The medium of black and white
  • 08 - The vocabulary of black and white
  • 09 - The physiology of black and white
  • 10 - How a camera's image sensor captures an image

3. Shooting in Black and White

  • 11 - Preparing the camera
  • 12 - Light revisited
  • 13 - Seeing in black and white
  • 14 - Taking a black-and-white expedition
  • 15 - Finding and shooting a black-and-white image
  • 16 - Shooting a tone-based subject
  • 17 - Exposing for black and white

4. Black-and-White Post-Production

  • 18 - The nature of grayscale images
  • 19 - Converting to black and white using Photoshop CS4 or CS5
  • 20 - More about the Black & White dialog box
  • 21 - Converting to black and white using Black & White adjustment layers
  • 22 - Converting to black and white in Camera Raw
  • 23 - Making an advanced tonal correction
  • 24 - Doing more tonal corrections
  • 25 - Calming down highlights
  • 26 - Vignetting
  • 27 - The trestle images
  • 28 - Handling tricky skies
  • 29 - Doing a selective black-and-white conversion
  • 30 - Toning
  • 31 - Split-toning
  • 32 - High-key and low-key images
  • 33 - Diffusion
  • 34 - Using Nik Software's Silver Efex Pro 2 plug-in

5. Printing in Black and White

  • 35 - Selecting a printer
  • 36 - Preparing the image for print
  • 37 - Configuring the Print dialog
  • 38 - Evaluating a print

Conclusion

  • 39 - Goodbye

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