Mixing Techniques for Pop Music Part 2
3h 15mIntermediate2016-08-01
Authors

Brian Malouf
Multiplatinum Producer, Engineer, and Mixer
Course details
Producer, engineer, and mixer Brian Malouf demonstrates more of his hit-making mixing techniques. Part 2 starts with effects and ambiance, including choosing the right reverb; identifying the differences between delay, echo, and reverb; applying flange and pitch shifting; and many others. He moves on to cover mix processing as applied across auxiliary and master busses, such as carving out space for electric guitars, creating groove with acoustic guitars, achieving clarity in the bass, and adding punch to the stereo mix. Brian wraps up the course by demonstrating the ultimate final touches, from finding and exploiting the golden nuggets in the mix and making the chorus pop to bringing out the emotion of a mix and knowing when the mix is done.
Learning objectives
Choosing the right reverb
Adding digital delay
Tuning your mix
Phase shifting and flanging
Increasing drum power and presence
Driving home the groove with acoustic guitars
Adding sheer volume to your mix
Affecting the effects
Making the chorus "pop"
Knowing when your mix is done
Learning objectives
Choosing the right reverb
Adding digital delay
Tuning your mix
Phase shifting and flanging
Increasing drum power and presence
Driving home the groove with acoustic guitars
Adding sheer volume to your mix
Affecting the effects
Making the chorus "pop"
Knowing when your mix is done
Skills covered
SongwritingPro ToolsAvidAudio and MusicProject
Concepts
0. Introduction
- 01 - Welcome
- 02 - What you should know before watching
1. Effects and Ambience
- 03 - Choosing the right reverb
- 04 - Applying reverbs to different instruments
- 05 - Adding digital delay to your mix
- 06 - Delay vs. echo vs. reverb - Aren't they the same
- 07 - How to tune your mix
- 08 - The magic dust of pitch shifting
- 09 - Phase shifting and flanging
- 10 - The most overused device in pop music today
- 11 - Using panning as an effect
- 12 - Working miracles with special enhancement processors
2. Auxiliary and Master Bussing
- 13 - Creating Individual group auxiliaries for overall processing
- 14 - Increasing drum power and presence with drum replacement
- 15 - How to make sure your drums are phase coherent
- 16 - Achieving clarity in the bass
- 17 - Making a place for the electric guitars
- 18 - Driving home the groove with the acoustic guitars
- 19 - How to achieve a perfect balance within the keyboards bus
- 20 - Adding punch and clarity to the stereo mix (master bus)
- 21 - How to add sheer volume to your mix
3. Variables - Finding Your Own Way
- 22 - Separating the elements of your drum kit
- 23 - Mixing with speakers vs. headphones
- 24 - Adding true dimension to your mix - The details
- 25 - Affecting the effects
- 26 - Making the chorus pop
- 27 - How to bring out the emotion of the song in your mix
- 28 - Knowing when your mix is done
Conclusion
- 29 - Next steps