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Location Photography: From Research to Post-Production

Location Photography: From Research to Post-Production

1h 15mIntermediate2017-11-10

Authors

Joe McNally

Joe McNally

Photographer

Course details

When you're on location, getting the right shot can require imagination, resourcefulness, and even a bit of improvisation. In this course, follow along with photographer Joe McNally as he goes on location to photograph a belly dancer. Throughout the course, Joe highlights his entire workflow—from researching the subject and gathering the right gear for the shoot, to setting up the shot and dealing with on-set challenges, all the way to post-production. He discusses several techniques for working with a dancer, as well as techniques for transforming a location so that it best complements your subject.

Learning objectives
Researching the subject
Conducting a phone interview
Essential pieces of gear for a dance shoot
Working with a photo assistant
Setting up and changing a shot
Visualizing the first shot
Creating a lighting setup that complements your subject
Modifying the environment
Dealing with on-set challenges
Attaching lights to a subject

Skills covered

Photo BusinessSmall Business and EntrepreneurshipPhotoshopPhotographyAdobeOne-Off

Concepts

1. Working with a Dancer

  • 01 - About this shot
  • 02 - Meet the subject

2. Research, Gear, and Crew

  • 03 - Experience with dance photography
  • 04 - Researching the subject
  • 05 - Conducting a phone interview
  • 06 - Essential gear for the shoot
  • 07 - Working with a photo assistant

3. Loading In and Setting Up the Shot

  • 08 - Load-in and setting up the shot
  • 09 - Setting up the shot
  • 10 - Flash and camera settings
  • 11 - Changing the shot

4. Getting the Shot - Setup 1

  • 12 - Visualize the first shot
  • 13 - Lighting setup
  • 14 - Hot lights and safety on set
  • 15 - Lens and camera settings
  • 16 - Modifying the backlight
  • 17 - Modifying the environment
  • 18 - Shooting front curtain sync
  • 19 - Thoughts on the shoot so far

5. Dealing with Challenges On Set

  • 20 - Communicating with the subject
  • 21 - Dealing with conflict on set
  • 22 - Protecting yourself and your crew

6. Getting the Shot - Setup 2

  • 23 - Visualizing the second shot
  • 24 - Attaching lights to the subject
  • 25 - Blacking out the room and adjusting shutter speed
  • 26 - Shooting with manual focus
  • 27 - Thoughts on the entire shoot

7. Post-Production and Aesthetics

  • 28 - Postproduction approach
  • 29 - Try new things
  • 30 - Balancing the technical and the aesthetics

Conclusion

  • 31 - Experience across genres
  • 32 - Lessons learned

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