Location Photography: From Research to Post-Production

Location Photography: From Research to Post-Production

1h 15mIntermediate2017-11-10

Authors

Joe McNally

Joe McNally

Photographer

Course details

When you're on location, getting the right shot can require imagination, resourcefulness, and even a bit of improvisation. In this course, follow along with photographer Joe McNally as he goes on location to photograph a belly dancer. Throughout the course, Joe highlights his entire workflow—from researching the subject and gathering the right gear for the shoot, to setting up the shot and dealing with on-set challenges, all the way to post-production. He discusses several techniques for working with a dancer, as well as techniques for transforming a location so that it best complements your subject.

Learning objectives
Researching the subject
Conducting a phone interview
Essential pieces of gear for a dance shoot
Working with a photo assistant
Setting up and changing a shot
Visualizing the first shot
Creating a lighting setup that complements your subject
Modifying the environment
Dealing with on-set challenges
Attaching lights to a subject

Skills covered

Photo BusinessSmall Business and EntrepreneurshipPhotoshopPhotographyAdobeOne-Off

Concepts

Working with a Dancer

  • About this shot
  • Meet the subject

Research, Gear, and Crew

  • Experience with dance photography
  • Researching the subject
  • Conducting a phone interview
  • Essential gear for the shoot
  • Working with a photo assistant

Loading In and Setting Up the Shot

  • Load-in and setting up the shot
  • Setting up the shot
  • Flash and camera settings
  • Changing the shot

Getting the Shot - Setup 1

  • Visualize the first shot
  • Lighting setup
  • Hot lights and safety on set
  • Lens and camera settings
  • Modifying the backlight
  • Modifying the environment
  • Shooting front curtain sync
  • Thoughts on the shoot so far

Dealing with Challenges On Set

  • Communicating with the subject
  • Dealing with conflict on set
  • Protecting yourself and your crew

Getting the Shot - Setup 2

  • Visualizing the second shot
  • Attaching lights to the subject
  • Blacking out the room and adjusting shutter speed
  • Shooting with manual focus
  • Thoughts on the entire shoot

Post-Production and Aesthetics

  • Postproduction approach
  • Try new things
  • Balancing the technical and the aesthetics

Conclusion

  • Experience across genres
  • Lessons learned
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