Learning Modular Synthesis

Learning Modular Synthesis

3h 52mBeginner2016-05-23

Authors

Chris Meyer

Chris Meyer

Principle at Crish Design

Course details

One of the most exciting areas of modern music creation is modular synthesis, where you get to assemble your own flexible and customizable instruments using components (aka modules) from a variety of manufacturers. In this course, music industry veteran and synth designer Chris Meyer guides you through putting together a modular system and interconnecting it with the rest of your studio. He reviews typical module arrangements, explains how the modules talk to each other, and covers details such as the differences between waveforms, filter modes, envelope types, and more.

This course will be based around the widely available Roland SYSTEM-500 Eurorack-standard synthesizer modules, complemented with modules from several other manufacturers. As most modules, synthesizer keyboards, and plugins are designed around the same principles, this course lets you dig deeper into synthesis and programming your sounds regardless of the equipment you own.

Learning objectives
Putting a system together
Getting sound in and out
Patching a typical synthesizer "voice"
Tuning voltage-controlled oscillators (VCOs)
Working with waveforms
Using filters
Exploring frequency modulation, waveshaping, oscillator sync, effects, and more

Skills covered

Music ProductionAudio and MusicLearning

Concepts

Introduction

  • Welcome
  • How we got here
  • Fundamental concept - Harmonics & sound
  • Fundamental concept - Voltage control (CV + gate)

Putting a System Together

  • The standard formats
  • The core building blocks
  • Playing your modular synth
  • Getting sound in and out
  • Case and power supply issues

Learning Subtractive Synthesis

  • Patching a typical synthesizer voice
  • Tuning voltage-controlled oscillators (VCOs)
  • The basic analog waveforms
  • Sine waves and drum sounds
  • Digital wavetable oscillators
  • The voltage controlled low-pass filter (VCF)
  • The difference between filter slopes
  • Filter resonance (feedback)
  • Other common filter modes (HP, BP, and Notch)
  • Envelope types (ADSR, AD, AR, and DADSR)
  • Linear vs. exponential envelope shapes
  • Low-frequency oscillator (LFO) waveshapes
  • Pulse width modulation (PWM)
  • Vibrato with LFO sync and delay
  • Tremolo and voltage-controlled amplifiers (VCAs)
  • Some alternate modulation sources

Exploring Alternate Techniques

  • Oscillator sync
  • Exponential frequency modulation (FM)
  • Linear through-zero FM
  • Ring modulation (AM)
  • Waveshaping
  • Low-pass gates (LPG)
  • Sample & hold (S H)
  • Phase shifting
  • Analog and digital delays
  • Effects loops
  • Processing external sounds
  • Other synthesis techniques

Conclusion

  • Onward
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