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Final Cut Pro X v10.1.x: Effective Storytelling

Final Cut Pro X v10.1.x: Effective Storytelling

3h 53mIntermediate2014-10-30

Authors

Diana Weynand

Diana Weynand

Award-winning Producer, Director, and Editor

Course details

Dive into narrative with Diana Weynand, as she shares a comprehensive method for finding, crafting, and developing a compelling story in Apple Final Cut Pro X 10.1.x. The course covers key concepts such as building a primary storyline, evaluating content and pacing, trimming distracting clips, creating different story versions, and storyboarding. The course also explores how to capture and organize media, incorporate B-roll cutaways, apply the Ken Burns effect to still images, re-time music and clips, and add finishing touches.

Note: This course was updated to reflect the changes to Final Cut Pro X v. 10.1.x. Although the course was not re-recorded from scratch, we updated the applicable movies by adding text overlays to guide you through existing changes. We also updated the exercise files to work with the most current version of the software. Please watch the "Understanding this update and using the exercise files" movie to learn exactly what to expect from this updated course. Working with an earlier version of Final Cut Pro X? Watch Effective Storytelling with Final Cut Pro X 10.0.9.

Learning objectives
Identifying story elements
Finding the essence of a story
Importing folders and stills as keyword collections
Using keywords to make clips accessible
Prepping clips for editing
Developing story diversity
Sculpting the story within the timeline
Fine-tuning edits
Organizing separate story segments into independent storylines
Recording a narration track
Adding sound effects
Applying effects to enhance story elements
Adding freeze frames

Skills covered

Final Cut ProVideo EditingAppleVideoDeep Dive (X:Y)

Concepts

0. Introduction

  • 01 - Welcome
  • 02 - Using the exercise files

1. Defining Your Story

  • 03 - Exploring different types of storytellers
  • 04 - Identifying story elements
  • 05 - Finding the essence of the story

2. Gathering Story Elements

  • 06 - Organizing footage into folders
  • 07 - Creating a disk image as a contained workspace
  • 08 - Importing folders and stills as keyword collections

3. Organizing Story Elements

  • 09 - Adding keywords to make clips accessible
  • 10 - Using favorite tags to call clips into action
  • 11 - Making notes to capture observations
  • 12 - Performing a complex search
  • 13 - Prepping clips for editing

4. Building a Primary Storyline

  • 14 - Finding the meat of the clips
  • 15 - Don't be puzzled over your first edit
  • 16 - Creating project versions and developing story diversity
  • 17 - Putting story threads in order
  • 18 - Sculpting the story within the timeline

5. Refining the Story

  • 19 - Trimming distractions from a story
  • 20 - Compounding thoughts into one primary story project
  • 21 - Evaluating the project for story content and pacing
  • 22 - Fine-tuning the edits in a project
  • 23 - Refining the primary sound bed
  • 24 - Organizing separate story segments into independent storylines

6. Previsualizing in Final Cut to Help Write Your Story

  • 25 - Storyboarding a narrative script using placeholders
  • 26 - Recording a narration track to explore script ideas
  • 27 - Changing pitch in a temporary narration track to identify different characters
  • 28 - Adding sound effects to create depth

7. Embellishing Your Story

  • 29 - Embellishing the story with cutaways to B-roll footage
  • 30 - Finessing cutaways to enhance the story
  • 31 - Editing and arranging a still-image storyline
  • 32 - Applying the Ken Burns effect to still images
  • 33 - Applying effects to enhance story elements
  • 34 - Altering your story's look using the Color Board

8. Moving the Story Along

  • 35 - Retiming to lengthen or shorten music and clips
  • 36 - Adding freeze frames to end or start sections
  • 37 - Video finishing touches
  • 38 - Audio finishing touches

Conclusion

  • 39 - Goodbye

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