EDM Production Techniques: Extreme Sound Mangling
3h 15mIntermediate2014-10-24
Authors

J. Scott Giaquinta
EDM veteran who has remixed A-list talent such as Madonna
Course details
Make your EDM tracks stand out. Ditch the canned sounds and learn how to add texture, sheen, and movement to your productions with these extreme sound-mangling techniques, which are based on J. Scott G's production and remix experience with artists like Adam Lambert, Shiny Toy Guns, Madonna, and David Bowie. He'll show you how to create and tweak sounds with vocoders; faders, flangers, and chorus effects; reverb and delay; EQ and filters; distortion; time stretching; and glitches and granular synthesis. The final bonus chapter digs into the loops included with J. Scott's Twisted System sample pack, which comes free with the exercise files for this course. These techniques are both practical and inspirational, providing tools for creating new sounds and ideas for making electronic dance music that sounds even more creative and unique.
Skills covered
KOMPLETEMelodyneCelemonyNative InstrumentsAudio MixingAbleton LiveAbletonAudio and MusicDeep Dive (X:Y)
Concepts
0. Introduction
- 01 - Welcome
- 02 - What you should know before watching this course
- 03 - Using the exercise files
1. Innovative Vocoder Techniques
- 04 - Vocoder principles
- 05 - Vocoder effect - Shine on Me
- 06 - Vocoder effect - Baby robot
- 07 - Vocoder effect - Underwater android
- 08 - Vocoder effect - Rhythmic white noise
2. Pitch Shifting, Frequency Shifting, and Using Ring Modulation
- 09 - Pitch shifting, frequency shifting, and ring-mod principles
- 10 - Pitch-shifter effect - Mangling drum loops in Melodyne
- 11 - Ring-mod effect - Wonky drums
- 12 - Frequency Shifter effect - Liquid Bassline, part one
- 13 - Ring-mod effect - Ring-mod demon
3. Creating Dramatic Effects with EQ and Filters
- 14 - Filter EQ principles
- 15 - Filter effect - Shine on Me arpeggiation
- 16 - EQ effect - Dark Secret, part one
- 17 - Filter effect - Drum Destroyer
- 18 - Filter effect - Pad Madness
4. Creative Uses for Time Stretching
- 19 - Time-stretching principles
- 20 - Time-stretching effect - Dark Secret, part two
- 21 - Time-stretching effect - Deep dive
5. Getting Weird with Granular Processing
- 22 - Granular principles
- 23 - Granular effect - Crazy Beautiful
- 24 - Granular effect - Frozen in Time
- 25 - Granular effect - Sick fills
6. Enhancing Harmonic Content with Distortion
- 26 - Distortion principles
- 27 - Distortion effect - Turning a drum loop into a bassline
- 28 - Distortion effect - Evil intro
- 29 - Distortion effect - Biting arp
- 30 - Distortion effect - Dubstep Motorcycle
7. Adding Modulation and Movement with Flange, Phase, and Chorus Effects
- 31 - Flange, phase, and chorus principles
- 32 - Flange effect - Dark Secret, part three
- 33 - Flange effect - Liquid Bassline, part two
- 34 - Chorus effect - Shimmer
8. Unique Uses of Reverb
- 35 - Reverb principles
- 36 - Reverb effect - Poltergeist
- 37 - Reverb effect - Ghost Vinyl
- 38 - Reverb effect - Mother Ship
- 39 - Reverb effect - Rising High
9. Using Delay in Nonstandard Ways
- 40 - Delay principles
- 41 - Delay effect - Sunrise
- 42 - Delay effect - Beat Comber
- 43 - Delay effect - Wide Load
- 44 - Delay effect - Move It
10. Using Glitches and Stutters for Rhythmic Effects
- 45 - Glitch principles
- 46 - Glitch effect - Flange Glitcher
- 47 - Stutter effect - Spin Cycle
- 48 - Stutter effect - Feel the Feel
- 49 - Glitch effect - Dark Secret, part four
- 50 - Glitch effect - Psytrance glitch rhythms
- 51 - Glitch effect - Liquid Bassline, part three
11. Exploring a Selection of the Twisted System Vol. 1 Sample Pack Loops
- 52 - Synth bassline - Big Bully
- 53 - Vocal multi-effect - All Robots Go to Heaven
- 54 - Build-up techniques - Here Come the Clowns
- 55 - Arpeggiator - Broken Record
Conclusion
- 56 - Next steps