Creating with Ableton Live Plugins and Instruments
10h 50mBeginner2022-02-16
Authors

Rick Schmunk
Professor at the USC Thornton School of Music
Course details
Explore the wide variety of powerful plugins and instruments in Ableton Live, the popular music production software. Instructor Rick Schmunk starts with an in-depth look at Sampler and how to create multi-sample presets, as well as overviews of the core instruments Electric, Collision, Analog, and Operator. Rick also covers audio and MIDI plug-ins through a variety of walkthroughs, tips, tricks, and examples.
Skills covered
Ableton LiveAbletonMusic ProductionDigital Audio WorkstationsAudio and MusicProject
Concepts
Introduction
- About this course
- What you should know
Sampler (Instrument)
- Sampler intro
- Sample playback
- Prepare and load multisamples
- Multisample instruments and key zones
- Multisample instruments and velocity zones
- FM modulation and pitch envelopes
- Filter and amp envelopes
- LFO modulation
- Assign MIDI control
Electric (Instrument)
- Electric intro - Hammers and tines
- Damper and pickup in Electric
- Creating classic EP sounds
- Creating wide stereo EP sound
Audio Plug-Ins
- FX overview
- Beat Repeat
- Resonators, part 1
- Resonators, part 2
- Multiband Dynamics
- Random
- Vocoder
- Vinyl Distortion
- Working with external devices
- EQ and filters
- Compressors
- Side chain processing
- Using delays
- Echo intro
- Echo advanced features
- Saturator and Pedal
- Drum Buss
- Reverb
Collision (Instrument)
- Overview
- Excitator section
- Resonator section, part 1
- Resonator section, part 2
- LFO section
- Creating sounds with Collision
Live Mixer
- Overview
- Group tracks
- Sends and returns
- Routing and resampling
- Headphone cues
MIDI FX
- Arpeggiator
- Chord and Scale
Max 4 Live
- M4L LFO plugin
- M4L Shaper
Analog (Instrument)
- Introduction to Analog
- Origins of sound synthesis - Oscillators and oscillator waveforms
- Create a richer sound with oscillator tuning
- Analog's hidden sub and sync oscillators
- Use filters to sculpt the sound
- Use a filter envelope to shape the sound
- Create motion with filter modulation
- Emulate a vintage synth with oscillator modulation
- Create tremolo and stutter effects with amp modulation
- Create a sidechain saw bass
- Create a supersaw and mellow pad sound
- Create a growl bass sound
- Create a vintage lead sound
Operator (Instrument)
- Introduction to Operator
- FM sound synthesis - Carrier and modulator oscillators
- Choose an oscillator waveshape
- Create custom oscillator waveshapes
- Add low end with a sub oscillator
- Use filters to sculpt the sound
- Use a filter envelope to shape the sound
- Create motion using modulation and LFOs
- Create a processed EP sound
- Create a house bass sound with sidechained sub bass
- Creating an ambient FM pad sound
- Creating a plucked synth sound
Conclusion
- Next steps