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Creating a Short Film: 12 Audio

Creating a Short Film: 12 Audio

2h 42mIntermediate2020-12-16

Authors

Chad Perkins

Chad Perkins

Award-Winning Filmmaker, Published Author

Course details

Given that film is, at its heart, a visual medium, you might assume that video is more important than audio. However, in some ways, audio can be more important than video. You would probably watch a movie that had subpar picture quality but good audio, but could you sit through a film that had a clear picture with audio that was full of hisses, pops, inaudible dialog, and terrible music? In part 12 of his Creating a Short Film series, Chad Perkins focuses on the importance of audio, covering topics like recording audio on set, composing and recording the score, sound design, and mixing. Chad addresses a wide variety of artistic, technical, and interpersonal issues that may arise when dealing with audio choices, from what kind of mics to use to which personnel to hire. As Chad illustrates in this course, enhancing the audio of your film can make a huge difference in the impact it has on the people who see it.

Skills covered

AuditionFilmmakingPro ToolsAvidVideo ProductionPremiere ProVideoAdobe

Concepts

0. Introduction

  • 01 - About this training series
  • 02 - The Assurance
  • 03 - Introduction to this course

1. The Big Picture

  • 04 - The importance of audio in film
  • 05 - Understanding sample rate and bit depth

3. Recording Audio on Set

  • 06 - Do you really need to hire an audio person
  • 07 - Using the correct mic for the job
  • 08 - Recording with a boom pole
  • 09 - The politics of respecting the sound mixer
  • 10 - Capturing room tone

4. Audio in Post

  • 11 - Working with audio in post
  • 12 - What is sound design
  • 13 - Building my temp sound design
  • 14 - Examining the final sound design
  • 15 - What is foley
  • 16 - Utilizing scratch musical themes

5. Improving Production Audio

  • 17 - Applying compression
  • 18 - Using reverb and delay to create effects
  • 19 - Increasing clarity with EQ
  • 20 - Making sounds feel distant
  • 21 - Cleaning audio using Adobe Audition
  • 22 - Cleaning audio using iZotope RX

6. The Art of Film Scoring

  • 23 - Using music to tell stories
  • 24 - Why use musical themes
  • 25 - Getting inspiration for the score

7. Composing the Musical Score

  • 26 - How do you compose a film score
  • 27 - Composing flexible themes
  • 28 - Creating specific feelings with church modes
  • 29 - Scoring to picture in a DAW
  • 30 - Orchestrating a score
  • 31 - Examining The Assurance score

8. Recording the Score

  • 32 - Finding an orchestra on a budget
  • 33 - Conducting an orchestra
  • 34 - About your technical troubles
  • 35 - Is having an orchestral score worth the effort

9. Polishing the Score in Post

  • 36 - Retiming the audio in Audition
  • 37 - Enhancing the score further

10. Exporting the Mix to Your Team

  • 38 - A look at your audio post workflow
  • 39 - Using AAF and OMF files

Conclusion

  • 40 - Getting my score critiqued by a Hollywood composer
  • 41 - Previewing the marketing course
  • 42 - Final thoughts

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