Creating a PSA Commercial
2h 28mIntermediate2016-10-26
Authors

Richard Harrington
Digital Video Expert, Educator, Speaker
Course details
Take a look behind the scenes at the production of a real-world television commercial. Learn what it takes to plan, shoot, edit, and deliver a public service announcement for delivery to broadcast and the web. In this course, author Rich Harrington takes an in-depth look at a real-world PSA that his company, RHED Pixel, made for a nonprofit client. The chapters mimic the stages of the project itself: preproduction (planning and design), production (shooting the scenes), and post (where the footage is edited, graded, and compressed for delivery). Each step is full of shortcuts for saving time and maximizing efficiency on set, and ideas you can use on your own commercials.
Learning objectives
Meeting the project and team
Writing the script
Casting actors
Scouting for locations
Creating schedules and budgets
Shooting scenes
Retiming footage
Color grading
Compressing for delivery
Learning objectives
Meeting the project and team
Writing the script
Casting actors
Scouting for locations
Creating schedules and budgets
Shooting scenes
Retiming footage
Color grading
Compressing for delivery
Skills covered
Shooting VideoPremiere ProVideo EditingVideoProjectAdobe
Concepts
0. Introduction
- 01 - Welcome
- 02 - What you should know before watching this course
- 03 - Using the exercise files
1. Meet the Project and Team
- 04 - The creative brief
- 05 - Meet the crew
- 06 - Scope of work
2. Pre-Production
- 07 - The kickoff session
- 08 - Writing the treatments
- 09 - Writing the script
- 10 - Building a two column script
- 11 - Casting actors
- 12 - Running a casting session
- 13 - Scouting for locations
- 14 - Building a shooting schedule
- 15 - Creating the budget
- 16 - Bundling paperwork for client and crew
3. Production
- 17 - Essential equipment
- 18 - Ordering the scenes for shooting
- 19 - Shooting the living room scene
- 20 - Shooting the hallway scene
- 21 - Shooting the child's bedroom
- 22 - Shooting the parents' bedroom
- 23 - Shooting the exterior scene
- 24 - Shooting the night kitchen scene
- 25 - Shooting the day kitchen scene
- 26 - Strategies for load out
4. Post-Production
- 27 - Organizing the footage for edit
- 28 - Selectively retiming footage
- 29 - Color grading day for night
- 30 - Color grading for mood
- 31 - Fixing a bad reflection
- 32 - Compression for delivery
Conclusion
- 33 - Summary