Black-and-White Darkroom: Printing Techniques

Black-and-White Darkroom: Printing Techniques

1h 44mIntermediate2015-03-13

Authors

Konrad Eek

Konrad Eek

Educator, Founder of Maxwell Eek Photography

Course details

Once you've shot and processed a few rolls of black-and-white film, the next step you can take to explore analog photography is printing that film in your own darkroom. In this course, a follow-up on his Shooting and Processing Black-and-White Film course, photographer Konrad Eek introduces the fundamentals of black-and-white darkroom printing.

First Konrad provides a tour of his own darkroom space, and introduces the key ingredients that dictate how pictures print: paper, exposure, and contrast. He checks a series of images by developing initial test prints, and then explores options for refining the images in the darkroom via cropping, burning and dodging, and adjustments to the development time. When he's finished making prints, Konrad shows how to clean up the darkroom and introduces different paper choices and resources for black-and-white film photographers to explore.

Skills covered

Black and White PhotographyPhotographyDeep Dive (X:Y)

Concepts

Introduction

  • Welcome to printing
  • Why bother printing
  • Touring the darkroom space

Contrast Control and Filters

  • Paper, exposure, and contrast
  • Contact sheets
  • Single-filter test print
  • Single work print
  • Split-filter test print
  • Split-filter work print

Refinements During Development

  • Making a cropping refinement
  • Making a refinement through dodging
  • Making a selective burn adjustment to the photo
  • Doing a gradient burn to create an adjustment similar to a levels adjustment
  • Creating a burn mask
  • Extending development time to get a highlight boost

Other Darkroom and Printing Tips

  • Making sure the darkroom workspace is maintained
  • Additional papers and new things to explore
40,000 Toman