Adobe Pen Tool: Mastery
6h 53mAdvanced2016-12-20
Authors

Deke McClelland
Author, Educator, Image Editing and Graphic Design Expert
Course details
Become more proficient with the Adobe Pen tool by learning advanced techniques, including the proper way to create Bezier curves. In this course, Deke McClelland takes a deep dive into the intricacies of this Adobe standby, and helps bolster your expertise by explaining its mechanics and features. Deke starts off by discussing Bezier curves in anatomical detail—all the way down to their anchor points, control handles, and segments. In addition, he explains the difference between constrained and unconstrained path dragging, and shows how to create smooth and cusp points. Next, he explains how curves really work, providing their mathematical underpinnings. He then gives you an advanced look at how pen functionality works across the three main graphic design programs in the Creative Cloud suite: Photoshop, Illustrator, and InDesign.
Learning objectives
Creating and editing Bezier curves
Drawing in Illustrator
Working with a vector-based shape layer
Tracing a complex image with the Pen tool
Using a vector mask in a composition
Drawing a custom symbol in InDesign
Creating inline graphics
Wrapping text around an offset path
Customizing text converted to outlines
Learning objectives
Creating and editing Bezier curves
Drawing in Illustrator
Working with a vector-based shape layer
Tracing a complex image with the Pen tool
Using a vector mask in a composition
Drawing a custom symbol in InDesign
Creating inline graphics
Wrapping text around an offset path
Customizing text converted to outlines
Skills covered
Asset ManagementIllustratorPhotoshopPhotographyGraphic DesignAdobeDeep Dive (X:Y)
Concepts
0. Introduction
- 01 - Welcome
1. Creating and Editing B zier Curves
- 02 - B zier curve fundamentals
- 03 - Working with B zier curves
- 04 - Dragging an unconstrained path
- 05 - Dragging a constrained path
- 06 - Creating a smooth point
- 07 - Drawing a curved segment
- 08 - Adding segments to a B zier curve
- 09 - Closing a path with a curved segment
- 10 - Extending and connecting curves
- 11 - Creating a cusp point
- 12 - Alternate ways to create cusp points
- 13 - Hidden Pen tool tricks
- 14 - How B zier curves really, truly work
2. Rules to Draw By
- 15 - The zero-or-two rule
- 16 - The two-thirds rule
- 17 - The oval-and-arc rule
- 18 - The tangent rule
- 19 - The straight-to-curve rule
3. Drawing in Illustrator
- 20 - Introducing a tracing template
- 21 - Drawing a flexible compound shape
- 22 - Signposts and stacking order
- 23 - Advanced transformations
- 24 - Dynamic round corners
- 25 - Variable-width strokes
- 26 - Advanced Width tool tricks
- 27 - When to use the Pencil tool
- 28 - Combining drawing tools
- 29 - Using variable-width profiles
- 30 - Converting strokes to closed paths
- 31 - Shape building and angled objects
- 32 - Gradients and clipping paths
- 33 - Working with the Gradient tool
- 34 - Experimenting with dynamic effects
- 35 - The finishing touches
4. Vector Masking in Photoshop
- 36 - Vector-based paths in a pixel-based world
- 37 - Working with a vector-based shape layer
- 38 - The Pen tool and the Paths panel
- 39 - Filling and stroking a path outline
- 40 - Turning a path into a vector-based mask
- 41 - Why and when to use vector masks
- 42 - Tracing a complex image with the Pen tool
- 43 - Converting a selection to a path outline
- 44 - Using a vector mask in a composition
- 45 - Repurposing a mask as a path outline
- 46 - Drawing a shape layer with the Pen tool
- 47 - Using a shape layer as a clipping mask
- 48 - Stroking a path with the Brush tool
5. Layout and Design in InDesign
- 49 - Custom symbols and page ornaments
- 50 - Drawing a custom symbol in InDesign
- 51 - Drawing in Illustrator and pasting into InDesign
- 52 - Creating inline graphics
- 53 - Converting shapes and anchor points
- 54 - Creating type along a path outline
- 55 - Creating text around a circle
- 56 - Creating text inside any path outline
- 57 - Wrapping text around an offset path
- 58 - Customizing text converted to outlines
Conclusion
- 59 - Next steps